Complex projects
Some projects are too large for any one artist. This can be due to the physical size of the work, the number of disiplines that require expertise, and/or the schedule.
I have organized, and contributed to projects of this sort, and know a large number of colleagues with whom I have enjoyed working in the past.
One example is shown below: the Wyoming evocation at the Maine Maritime Museum in Bath, Maine. This project included two artists, and six additional engineering and support staff. The work was done in two phases, spanning 7 years as the funding (over $1,000,000) became available.
 Wyoming bow |  Wyoming rear quarter |
I’m open to future projects that would benefit from a collaborative approach. If you have something in mind, please let me know.